Death Metal Underground
Because Metal Is Art
Does metal have a finite lifespan?
Keith Kahn-Harris, a metal academic whose work in metal academia has been covered here and elsewhere, writes that metal may be suffocating under the weight of its own success:
"Metal today is in crisis. Metal’s crisis doesn’t feel like a crisis. In fact it sometimes feels like quite the reverse. This is a crisis in which most are unaware that there is a crisis – and that is the crisis. The crisis is one of abundance."
Heavy metal shows piracy is not killing music, offers new business model
The music industry — and the television and movie industries — appears to be in free-fall. After years of having an exclusive means of delivery, its market hold has been fragmented by the internet and increasing distrust of big media. Looking over the past decade, the picture adds up to a slow and steady decline with downloaded forms of media failing to replace the profits of their physical counterparts.
Suuri Shamaani – Mysteerien Maailma
The esoteric ambient/organic noise project of Beherit‘s Nuclear Holocausto Vengeance, Suuri Shamaani, will see its Mysteerien Maailma re-released next week by KVLT in Finland (€ 11 pre-order).
Like Justin Broadrick project Final, or post-Napalm Death project Lull, Suuri Shamaani attempts to shape sound itself using overlapping drones and ambient noises to create internal harmonies. Mysteerien Maailma (commonly called the “mysterious mailman” album for its resemblance to that phrase in English) represents a more ritualistic and ordered vision of that approach.
Profile: Codex Obscurum editor Kevin Ord
There’s a seismic disturbance in the metal world. As the power of the internet winds up, the flood of information has increased to the point where people are searching for ways to reduce the data overload. As a result, they’re turning back toward zines, reviews and edited sites and away from crowd-sourced data and social media.
On the forefront of this change is Codex Obscurum, a formerly small but rising zine from the eastern coast of the United States. Staffed by volunteers, run on a non-profit basis, and dedicated to old school underground metal as well as contemporary developments, Codex Obscurum has won over its share of devotees.
Slayer Show No Mercy turns 30
Three decades ago, on December 3, 1983, Slayer unleashed Show No Mercy upon an ungrateful world. This event changed more than one band’s future; it helped launch the next generation in metal.
Combining the fluid tremolo strum of hardcore punk with the melodic song structures of Iron Maiden and the angular, rhythmically precise riffing of Judas Priest, Slayer sculpted from raw elements the future of death metal. With the guitars freed from having to emphasize offbeats, riffs became more fluid and tended toward phrases, jazz-style, instead of bouncy percussion in the style of rock.
Jeff Hanneman demos from 1985 released as Seeds of Horror
With the tragic early death of Slayer’s Jeff Hanneman earlier this year, it was inevitable that artifacts would unearth themselves, as has happened with the Seeds of Horror release. This album contains both demos for an unreleased concept album by Slayer and a demo from Hanneman’s side hardcore project Papsmear.
The Slayer demos involve material that mostly made it on to later albums but also contain some unreleased and unrealized material. Generally recorded with Hanneman on guitar and vocals and a drum machine for percussion, the demos include some conceptual material like the title track from which this CD/LP takes its name.
Sadistic Metal Reviews 12-05-13
What are Sadistic Metal Reviews? If you treat heavy metal like a form of art or culture, it suddenly reveals its inner depth. Labels want you to see the surface only. To separate the two, we must be brutally honest. Look for the occasional gem in the sands of sonic feces.
Dawn to re-issue entire back catalog through Century Media in 2014
Swedish black/death metal outfit Dawn returned from the chaos of the 2000s a year ago and have been steadily moving toward releasing new material since. In support of this, the band will be re-issuing its entire discography through Century Media in 2014.
The Heaviest Encyclopedia of Swedish Hard Rock and Heavy Metal Ever! by Janne Stark
Since the popularization age of search engines began, some have wondered if this spelled the impending doom of paper encyclopedias. If heavy metal is any indication, traditional methods of distributing information are still enduring.
To partake of underground metal in the current year is to keep eyes open for new possibilities. Because this is underground — meaning-first and surface appeal later, where everyone else does it the other way around — music, this requires looking past early limitations to see if a band has the outlook required. This worldview is a desire to make music in the true metal spirit, with a personal voice that reveals vastly impersonal truths.
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