Death Metal Underground Newsletter 1/13-1/19
Death Metal Underground
Because Metal Is Art
Sadistic Metal Reviews 01-12-14
What are Sadistic Metal Reviews? Music is art when it has something to say, entertainment when it’s distracting. Since none of us have infinite time, we pick the best and strongest music we can and mock the rest. The path to true metal is littered with sweet, sweet poseur tears and the occasional gem of non-failure, a secret delight for the wary traveler…
Interview with Steve Cefala (Dawning)
Welcome to the strange and protean world of Steve Cefala, black/doom metal musician, MMA fighter, former adult entertainment actor, and now, the force behind the returning Dawning and its unique brand of slow melodic metal with horror movie keyboards.
Dawning was born in 1996 at the hands of Mr. Cefala and a close cadre of collaborators. Dormant for many years, but never forgotten, the band was resurrected with the – – –/Dawning split that showcased a classic song for the band and gave it new arrangement and orchestration.
We were lucky to catch up with Mr. Cefala between his many high-energy ventures and get in a few words about the split, the history of Dawning, and its future both as band and concept.
Agonized – Gods…
Not every band from the frozen north aimed for melodic and energetic interpretations of death metal; many, like fellow Finns Belial or the Swedes in Obscurity, chose instead to write grinding cudgels of primitive bass noise that sounded like a winter avalanche of the soul overtaking all hope. Agonized created a six-song demo in this vein and sadly were lost to time after that point.
Narcotic Wasteland – “Shackles of Sobriety”
Nile guitarist Dallas Toler-Wade has unveiled his new project Narcotic Wasteland with the debut of their self-titled album today and the release of a sample song, “Shackles of Sobriety.”
Based on this song, it’s clear the album comes from the modern metal camp and not the death metal camp. It starts with an impressive melodic metal introduction, then drops into the trademark of modern metal, which is Pantera-influenced vocals leading the guitars, reversing the classic death metal formula. Thus most of what you hear is vocal rhythm with guitar keeping constant texture on the backdrop, not guitar leading and vocals filling in secondary texture as all the best death metal bands did.
This creates a “rant effect” which makes me want to scream “Are you talkin’ to me?” at the screen.
Interview with Joe Gonzalez (Cruxiter)
To those who have watched metal for some time, it presents a paradox. To the public, it seems like a railroad, where a line of cars stops and then we see what is in each, one at a time. To an experienced watcher, it more resembles an ocean, with currents swirling below and influenced by air above, and periodically the crest of a wave emerges before being dragged down by the rest, obliterated and recycled.
One of the warmer undercurrents in the metal ocean is “true metal,” which is that which stays true to the solid line of evolution leading from metal’s origin. As part of this movement, bands across the globe are continuing to make music that we associate with earlier decades, except that it’s newly created and generated from a contemporary impulse if not contemporary influences. Cruxiter, a Texas heavy metal/guitar rock band, is part of this movement.
The funderground evaporates and metal goes underground
Blue skied days make me think of aliens landing amongst us like in the old science fiction films. Except this time, the aliens are disappointed in what they find. “We have analyzed your transmissions,” the vocoded digi-translator says. “We are hoping to contact the people of Aurelius, Plato, Nietzsche and the first Morbid Angel album.”
Sadly there is no one here who can help them. The old Romans are dead, the ancient Greeks long gone, even the days when philosophers wrote about real topics are over, and Morbid Angel have ventured on to different goals and styles. If the aliens came looking for old school death metal, they’d find themselves presented with over a million options, very few of which resembled the glory of what once was.
Haven in Shadows – “Legend of the Wolf” and “Moments of Honour”
Rather than the more exoteric approach favored by other bands, these releases attempt to answer the question posed by the original wave of black metal: “What have we forgotten and how can we recall it?” Meditative at heart, this is something lost within the current generation of black metal and is worth rediscovering again.
Morfin – Inoculation
Morfin emerge from the potent musical texture of the late 1980s and the transitional era between speed metal and death metal where Sepultura, Destruction, Kreator and Sadus ruled the day. This period was known for its tendency to wrap up a diverse influences under a speed/death banner and make music that straddled the genres, which often produced a potent ferment of riffcraft but left songwriting behind as it tried to balance many diverse elements in the same band.
Oration of Disorder reviews 01-19-14
What’s an oration of disorder? What most people think of as “order” consists in telling other people what they want to hear and then manipulating them. That’s how you sell them products. But the selling of products is the opposite of what art and listeners need, which is a harsh voice to tell us the truth.
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