Monday, December 16, 2013

Death Metal Underground Newsletter 12/9-12/15

Death Metal Underground

Newsletter 12/9-12/15

Because Metal Is Art


The importance of experiencing local metal
Some time ago, Jon Wild relayed a local news write-up about Amarillo-based death metal band Abolishment of Flesh. I am a part of Death Metal Underground, and I live in Amarillo. I’ve gotten to know these folks, and I thought I’d offer a follow up. I can say without reservation that they are as great as the best of people one finds anywhere. Since moving here 14 years ago, I’ve found I had trouble finding a niche. The ostensibly Christian veneer of this region fades rather quickly when it becomes known that one does not practice some variety (or in my case, no variety) of faith. That sense of alienation grows when one prefers Pentagram CDs to Pentacostal services. So outside the people I knew from work, I really didn’t associate much with the local population. As metalhead and loner from way back, this arrangement suited me just fine. Solitude trumps solicitousness any day, and twice on Sunday.

How to “sing” death metal — an interview with Lane Taylor, vocal coach
Every death metal listener has at some point heard some variation on the statement that death metal bands are untalented, and that instead of mellifluous singing, there’s some guy “just standing there screaming” (that’s from my Mom, about 25 years ago).

Despite three decades of these vocals, they remain vastly misunderstood. Leaving aside for a moment the question of their purpose and effect, there’s also the technical question of how they are produced. And how does this compare to regular “sing-a-long” vocals?

Assück – Blindspot
Grindcore as a genre started out incredibly strong but unfortunately has grown stale with copycat bands and hipsters. By remembering those who made the genre great, we may inspire the genre to create great works once more.

An early runner in the grindcore genre, Florida’s Assück were one of the first bands to fuse grindcore’s rhythmic intensity and youthful energy with elements of the phrasal and percussive riffing of death metal. The combination would later become “deathgrind.” Assück additionally was staffed by remarkably proficient musicians.

Sadistic Metal Reviews 12-12-13
What are Sadistic Metal Reviews? Heavy metal is either art, or like the rest it’s a product to make sad people feel better about their empty and pointless lives. Brutal honesty is all that separates us from that abyss. Remember, tears are a sign that you’ve really reached people…

Analyze it to Life: Black Sabbath – Master of Reality
The resurgence of Black Sabbath following the success of their new album 13 presents an ironic success when compared with the more substantial legacy of their earlier work. Without the first five albums, metal as we now know it would not exist. And on one album in particular, Black Sabbath laid the groundwork for three subgenres — stoner metal, thrash metal and doom metal — such that future generations could pick up the hint and fully develop these new alloys of the raw metal that Black Sabbath forged forty years ago.

Sammath – Godless Arrogance
Sammath combines the dark melodic understructure of black metal with the type of charging full-ahead death metal that Fallen Christ or Angelcorpse pioneered (which might descend from Morbid Angel’s “Thy Kingdom Come”). At this speed, the riff-salad approach of more traditional death metal would become a muddle, so the band focuses on a few ripping riffs per song and uses song structure deviations to incorporate entirely different riffs to create dialogue with the main verse-chorus pair and the Slayer-style introduction/transition riffs that accompany it.

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